are
the craftsmen who make the brass horses and other ornaments in metal.
The
work of the ottonài is prominent in numerous and diverse parts of
the boat: the canòni (flower holders, and the lights at the bow
and stern of the gondola); the feràl or faràl, the
overhanging light in welded brass plate; the decorations on the upper part
of the stern lama, whose shape and style are carefully chosen by
the gondolier.
The
objects which the ottonài and fonditori are most famous for
are the cavài, a symmetrical pair of seahorses which decorate the
central part of the two sides of the gondola. They are called cavài (horses),
but their shape can refer to a vast and original repertoire of subjects in
which the marine elements are often combined with those of the animal
kingdom or mythical beasts: the head, but also sometimes the body, can be
that of a horse, a dolphin, a bird of prey, a dragon, a griffin, a triton
or a sea nymph. At one time,
every important family had its own particular ‘seahorse’. Today there
are small, medium and large models depending on the degree of decoration
of the gondola. Of the thirteen fonderie present in Venice before
the Second World War, only one remains in the city.
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