are
the blacksmiths who make the ferro (the decorative metal piece at
the bow of the gondola) and other items in metal.
They
work on ‘phase three’ of the complex work of gondola construction,
after the boat has been built, caulked and pitched.
Although
the fravi’s work is found in other areas of the gondola, the
focal point of their work has always been the fèro (bow iron),
also known as a dolfìn, that has become, like the forcola,
a symbol of Venice, so much so that its s-shape with its characteristic
‘teeth’ has given rise to innumerable clichéd interpretations (often
fuelled by gondoliers and squerariòli).
Unlike
the forcola, the ferro di prua is no longer a functional
part of the gondola (it was originally used to protect the boat), in fact
the ferro can even be dangerous when manoeuvring. Although its size
and proportions have varied, its shape has remained the same for
centuries.
The
ferri were forged in Cadore, an area that provided both iron mines
and timber for the squerariòli.
Forging a ferro could take more than a week. Today they are
produced in stainless steel (tough and durable, but very expensive) or in
aluminium alloy (cheap but fragile and difficult to keep clean); there are
also boxed ferri, in welded sheet metal, and hollow ferri.
The ferro in stainless steel is cut using an industrial-laser
process, but the use of hand-forged ferri is slowly becoming more
widespread. The fravo applies his ancient art to the steel piece
heated in a furnace. It is then worked on using a mallet and hammer.
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