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About El Fèlze
The Gondola
Squerariòli
Remèri
Fravi
Indoradori
Intagiadori
Fonderie
Tapessieri
Sartori
Barateri
Calegheri
Members

apply gold leaf to the ornamental parts of the gondola.

They work in the finishing and decoration phase together with the intagiadóri. The more luxurious the gondola – luxury, ceremonial or wedding – the more the indoradór’s work is called for. Gilding can be carried out on fixed parts of the gondola, such as the bow fiubóni (boards joined with an edge that cover the ends of the boat) for which the indoradór works at the squero (boatyard), and removable parts that can be gilded at the indoradór’s workshop. This is the case for the fódre (lònghe e curte - long and short), the thin boards that cover the inner part of the edge of the boat, or for the portèla a spigolo, the decorative board placed opposite the passengers.

Gilding is also carried out on the parécio, the seats for the passengers: for example the cimièr, a decorative element of the back of the central seats, or the careghini, the movable chairs

The decorations vary insubject: spirals, interwoven leaves, coats of arms, cupids or other mythological figures. The styles are also varied, including styles as recent as Art Nouveau, but most are in ‘barocchetto’. Religious motifs are never used.


The gilding used on the gondola requires a special technique, called ‘doratura a mordente’ (mordant gilding) which is resistant to the water and the saltiness of the lagoon. The piece to be gilded is prepared with a yellow coat for external use and with a layer of oil-based mordant. A delicate ‘ritual’ follows: the ‘book’ of gold leaf (taken from a sheet prepared by the battilòro using hammer and mallet) is laid on a leather cushion. The leaves are ‘opened’ by blowing (they should never be touched!), held using a special knife, placed on a cushion and cut. Using a penéta (a brush with marten hairs or vair) rendered electrostatic by rubbing, the gold leaf is picked up and placed on the piece. When the piece is completely covered, it is gently beaten with the brush.

The art of gilding takes years of practice in the workshop to master. The indoradóri, together with the intagiadóri (engravers), specièri (mirror makers), miniadóri (miniaturists)… made up the ancient art of depentóri (painters), whose statute dates back to 1271.


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