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are the carpenters specialised in making oars and forcole.

The oar and the forcola (“piece of carved, hard wood on which the oar is rested while rowing”) are the two elements on which the dynamic balance of the gondola is centred. It is the fulcrum of the movements (prèmer and stalìr) with which the gondolier gives propulsion to the boat and at the same time keeps it in equilibrium.

The remèr ‘extracts’ the forms of the oars and forcole from the wood: the form of the oar is smooth and linear; that of the forcola is strongly organic. The oar is shaped using a plane on long planks of wood to produce an easy-to-handle grip that starts conically-shaped and becomes cylindrical without losing the robustness that allows it to resist the stress applied to it by the oarsman. The cylinder then widens into the blade of the oar with a surface that allows it to move harmoniously in and out of the water.

The raw material of a forcola is a quarter of a trunk of wood (walnut, cherry, pear, apple or maple) which is selected by the remèr before being left to age for three years. The forcola is not created by following a rigid design, but is the result of the combination of manual skill and the ability to visualize the desired form. The eye and sense of touch play a vital role. Each curve and bend of the forcola must allow variegated movements of the oar in the water. The forcola, when removed from the context of the gondola, is a fascinating object and has become one of the symbols of Venice. But its beauty is functional: it must guarantee the freedom of movement of the oar that provides balance to the asymmetrical system of man-boat-water.


The workshop of the remèr is today a place where the past is preserved in a ritual repetition of ancient words (the names of the tools) and gestures, but it is also a place of continual transformation, of adapting to the changing form of the gondola, the style of rowing and the individual characters of the gondoliers.

The guild of Venetian remèri was founded in 1307. Some of them, da dentro or da l’Arsenal, made the oars for the ships of the Venetian Republic, others (de gondole) worked in dozens of workshops throughout the city (there are still traces of their presence in place names ending with ‘…del rèmer’).


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